Photography Filters Tutorial

Filters modify the way colors are recorded onto film and the sensor. With black and white photography, a camera which doesn't use a filter will record an image with a set of tones more or less the same as what the human eye would see. However, adding filters to black and white photography is a great way to either lighten or darken these tones. While many amateur photographers would never think to use colored filters with black and white photography, it is a technique that many professionals use to help give their black and white photography that little extra something to make their viewers go "ooooh ahhhh"!

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Color filters

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When filters are used with color film the filters act to exaggerate or distort the color balance. When filters are used with color film the filters act to exaggerate or distort the color balance.When color filters are used in photography they will lighten the reproduction of all colors that match their own color and will subsequently darken any complementary colors. Complementary colors are colors that are opposite one another on the color wheel. Such as orange and blue.

Before we start discussing color filters, we first need to caution you against two important things.

First of all you will need to ensure you keep your color filters clean and in a safe place. If they become dirty or scratched they will produce lower quality pictures.

Secondly, because the filters are colored they will let slightly less light into expose the image. The result is that you may need to adjust your aperture setting or shutter speed to compensate for the fact that less light will be coming in.

It is surprising for people new to photography to find out that color filters are actually more often used with black and white photography than they are with color photography. The reason probably has to do with the fact that color filters help exaggerate contrast in black and white photography while they can make a color photograph look simply unrealistic. A yellow filter for example will help exaggerate the contrast between the clouds and the sky as it will make the sky look darker. Orange and red filters will have a similar but slightly more exaggerated effect. A dark green filter will pull the contrast out of the sky as well but will also lighten any green areas of the image (i.e. trees, grass etc.) and make it stand out against a blue sky.

When color filters are used with color photography you can expect an overall color change in your photograph. So while a red filter will have a dramatic contrast effect for black and white photography, it will simply cast a red shade over an entire color photograph and absorb red colors.

In short, color filters absorb light and transmit the light they don't absorb. A yellow filter for example, absorbs blue light but allows yellow to pass through it.

Let's use a yellow banana as an example. Let´s imagine that we want to photograph this yellow banana while using a yellow filter. Since the banana is yellow, it will reflect yellow light. The yellow filter will accept this color and the banana will remain yellow. However, if we chose to use a green filter when photographing the yellow banana, the green filter would not let the yellow color of the banana to pass through. So what color reaches the film you may ask? Well you need to understand a bit about color theory. For now, just know that yellow is a combination of red and green light, therefore the filter will block out the red portion but allow the green portion to pass through. As a result, on color film the banana would register as green.

Now using the same filter but with black and white film would have a completely different outcome. The filters don't affect colors, they now affect tones. Therefore, since the yellow filter and the banana are almost the same tone, the banana will look almost completely white. In fact, this will happen with any color filter when photographing their equivalent color in real life while using black and white film. Red filters may make a red apple of the same color look white. Green filters may make peas look white and so on.

Using Color Filters in Black and White Photography

As mentioned above, using color filters in black and white photography is much more common than using color filters with color film. When using color film you will usually use other filters such as the polarizing filter, UV filters and neutral density filters to name a few.

The goal of spectacular black and white photography is to achieve a good tonal range ( a wide gradient in whites, black and grays. It is often difficult to find such contrast in our day to day lives as wide tonal ranges can be hard to come by. For this reason you may want to consider using color filters to help you exaggerate contrast and tonal range.

As we hinted at earlier, you need to use the same color filter as the object to lighten the tone and to darken a colors tone you need to use the complementary color to the color you are trying to darken. Complementary colors are colors which are opposite each other on the color wheel. Note the wheel of complimentary colors below.

Below are a few of the more common color filters used in black and white photography and what their affect on the photographic surroundings are.


Medium Yellow
Widely used for a correct rendition of sky, cloud, and foliage in black and white photography .

Dark Yellow
In landscape photography, this filter renders blue skies darker, clouds lighter and diminishes distant haze. It also increases tonal separation in fine details.

Yellowish Green
This filter is ideal for scenes where it is important to differentiate the green tonal values. The application is especially suited to landscape photography in the springtime because it enhances the light green color of the leaves and reduces distant haze. Ideal for portraits in nature.


This bright orange filter darkens blue and violet as well as green and yellow-green. It is indispensable for all landscape and architectural photography which require vivid and clear contour. The sky will be distinctly toned with the clouds clearly contrasted against it. This filter is also popular for nude photography under natural light.

Contrast filter used for blue and blue-green absorption.

Deep Orange
Contrast filter with greater green absorption than orange. Dramatic 3-dimentional effects in landscape photography. Creates a strong darkening of the sky, dramatic storm-like cloud reproduction, and strongly enhanced shadows due to its enhanced contrast. It also achieves good tonal differentiation in still-life photography by brightening yellow, orange and red. Not suited for portrait photography.


Light Red
Contrast filter with greater green absorption than orange. Brightens red, orange, yellow-orange and yellow. Suppresses purple, blue, green.

Contrast effect in commercial and outdoor black and white photography. In landscape photography, it increases contrast in cloud formations dramatically. Haze is reduced and white surfaces appear brilliant. In portraiture skin appears porcelain white. It is also used for tonal separation in still-life photography.

Deep Red
For better separation of tonal values from red to blue in object photography. Can produce moonlight effects in daylight due to the extreme darkening of sky. Gives a surreal effect in landscape and architectural photography as it adds greatly to contrast. It is also indispensable for creating tonal separation in still-life photography.


Light Blue
Contrast filter with some ultraviolet and some red absorption. Useful for correcting reds which have the tendency to reproduce too lightly in tungsten illumination. It is also used to darken skin tones for portrait or nude photography under natural light. When photographing objects, there is better separation between red and blue tones.

Stronger effect of the light blue filter. Enhances the tonal rendition of the sky by
emphasizing mist in valleys and transmitting light rays over water, fog, and haze. This filter is also used for tonal separation in still-life photography and correcting the light spectrum from an artificial light source.

Deep Blue
Provides some green absorption and strong absorption of yellow, red and ultraviolet.


Light Green
Absorbs some blue and red. Lightens up yellow-green tones. It is the standard filter for landscape photography.

Stronger effect of the Light Green filter. This filter creates distinct differentiations of green tones in late spring and summer. It is also recommended for floral pictures that are used graphically, for tonal separations in still-life photography, and for correction of red tones in portraits with high-speed film.

Filters More Commonly Used With Color Photography

Below is the list of popular filters which are used with color photography. We have outlined the most popular ones which will have a dramatic impact on your final product.

Ultraviolet filters
Ultraviolet light is invisible to the human eye but it is picked up on camera film. This is another reason why amateur photographers may be disappointed when they get their pictures back. They may claim that the lighting is not correct or state that "this isn't how it looked when I took the picture". Although the differences may be subtle they make a world of difference in the realm of photography. In some cases ultraviolet light may be desirable and in other cases it may be unwanted. As a photographer it will be your responsibility to know when ultraviolet light will be a consideration and when it can be ignored.

The effect that ultraviolet light will have in most pictures is miniscule. However, at high altitudes or in distant landscapes it can make the picture appear much paler. Without an ultraviolet filter, your landscape or aerial color photography will not only appear more pale, it will also have a blueish tinge cast on it. By using an ultraviolet filter the picture will be without this blueish tinge and will reflect a closer resemblance to the picture that the human eye would see.

Polarizing filter

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Polarizing filters help control reflections for glass or water or any other non metal reflective surface. The polarizing filter works because ordinary light bounces in all directions. What the polarizing filter does for some parts of a clear blue sky and non-metal surfaces is it blocks it into one plane. If you've ever wondered how to take a reflection out of a puddle or window this is how you do it. Likewise, you've probably seen photographs of landscape or nature photographs where the blue sky seems so vibrant and blue. This too was probably done with a polarizing lens.

Gray Gradual (Gray Grad)
Gray gradual lenses are lenses which have a darkening gradient built into them. They come in different sizes and gradients but effectively they do the same thing. You can artificially darken and enhance the contrast on the top, bottom, right side or left side of your picture by attaching a gray gradual filter.
Notice how there is a gradient built into this lens. The result of using this lens can be spectacular because you can selectively choose which portion of the photograph you wish to darken or enhance.

Imagine that you are in a beautiful field, but because of the bright sky your pictures are looking a little pale in the upper half (the sky). If you put a gray gradual filter on you will be able to tone down the sky, bring out its highlights and achieve the proper exposure for both your sky and the ground. Look at the following example of a picture using the gray gradual lens.

Neutral Density

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A Neutral Density filter creates a reduction in light that is neutral and equal for the film or sensor area. This filter is often used to allow for longer exposure times whenever a longer exposure would typically create over exposure in the camera.

Graduated Neutral Density
A Graduated Neutral Density filter is a neutral density filter that varies the effect with a gradient so it can be used to compress dynamic range across the entire scene. This can be beneficial when the difference between highlights and shadows of a scene are too great to allow for proper exposure of both.

Diffusion filter
Diffusion filters are also called softening filters and they artificially create a dreamy haze. Often photographers look for this type of light diffusion in the natural environment through light haze or mist. However, because these elements are not always at our disposal some photographers prefer to shoot using diffusion filters. Although the look is different from the diffusion you would see occur naturally in a hazy environment, they still produce a dreamlike effect nonetheless.

They usually achieve this through a type of grid or netting in the filter or they use a material which is transparent but not optically sharp.

Play Around With Filters
The get a quick sense of how filters work take a peak at the Tiffen Filter Simulator.

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