Intermediate Photography Lesson 11 Quiz | Test Your Knowledge

Intermediate Photography: Lesson 11 Quiz

You arrive at a beautiful landscape scene and take one photo. It looks decent. What would a more experienced photographer likely do differently?

Take the same photo at multiple ISO settings to choose the best one later

Work the scene by changing angle, height, focal length, orientation, and foreground elements to find the strongest possible composition before moving on

Take the exact same photo 10 times to ensure one is perfectly sharp

Leave immediately to find a more interesting scene

You are composing a portrait and considering whether to place your subject in the center of the frame or off to one side. When might a centered composition be the stronger choice?

Never. The rule of thirds always produces a better portrait.

When the subject has strong symmetry, a direct gaze at the camera, or when you want to create a sense of power and confrontation

Only when the background is completely blank with no distracting elements

When you are shooting with a wide-angle lens at close range

What does the phrase 'composition is subtraction' mean in practice?

You should always crop your images after shooting to remove unwanted elements

Effective composition is often about deciding what to leave OUT of the frame rather than what to include. Removing distractions strengthens the image.

You should use negative exposure compensation to darken your images

It means subtracting color by converting images to black and white

You are photographing a building and intentionally tilt your camera 15 degrees. A viewer comments that your horizon is crooked. What distinguishes a deliberate tilt from a careless one?

A deliberate tilt is always exactly 45 degrees

Intent and degree. A subtle, uncertain tilt looks like a mistake, while a bold, committed tilt reads as a creative choice that adds energy or tension to the composition.

It depends on whether the building has straight vertical lines

There is no difference. All tilted horizons are mistakes.

You are at a market photographing a food vendor. You take several photos from your standing eye level. What is one simple change that could dramatically improve your compositions?

Switching to a longer focal length from the same position

Changing your shooting height by getting low to table level or finding a higher vantage point, which gives a fresh perspective most people never see

Increasing your ISO for faster shutter speeds

Using a flash to freeze the vendor's hand movements

A photographer studies the compositions of photographers they admire. What is the most valuable thing they can learn from this practice?

The exact camera settings and equipment used to create the image

How experienced photographers make decisions about framing, inclusion, exclusion, and the relationship between elements. These structural choices are transferable to your own subjects.

What locations produce the best photographs so they can visit the same spots

How to replicate the post-processing style used in the images

You notice that in your last 100 photos, almost every one was shot horizontally at eye level with the subject centered or on the right third line. What does this pattern suggest?

You have found your personal style and should continue exactly as you are

You have compositional habits that have become defaults. Deliberately trying vertical orientation, different heights, left-side placement, and other variations will expand your visual range.

Horizontal orientation is the correct format for most subjects

You should only shoot vertical images for the next 100 photos to balance it out

You spot a beautiful arch that frames a street scene beyond it. What compositional technique would you be using if you photographed the street scene through the arch?

Leading lines drawing the eye toward the vanishing point

A frame within a frame, using the arch as a natural border that focuses attention on the subject beyond it

Negative space to create minimalist tension

The rule of odds, since the arch creates three visual elements

You take a photo of a person walking across a large empty wall. There is a lot of blank space in the image. A friend says you should crop tighter. But the emptiness feels intentional to you. What principle supports keeping the negative space?

More pixels in the image always means higher quality

Negative space can communicate isolation, scale, mood, or give the subject room to move into. If the emptiness serves the story, it strengthens the image.

Wider compositions always look more professional than tight crops

Empty space in a photo is always a mistake that needs to be cropped out

You are doing the '10 compositions challenge' from a single spot. After 5 compositions, you feel stuck. What should you try next?

Give up and move to a new location with more visual interest

Look in unexpected directions like straight up, straight down, or behind you. Change your focal length dramatically, switch between horizontal and vertical, or focus on details instead of the whole scene.

Take the same 5 compositions again but with different exposure settings

Wait for the light to change so the scene looks different

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Intermediate Photography Lesson 11 Quiz | Test Your Knowledge

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